As Fu and her friends begin their third and final year of high school, the photography club gets two new members; freshman Takumi Shindou and sophomore Suzune Maekawa. Thinking about what to do after graduation, Fu decides she wants to pursue a career combining photography and travelling. Afterwards, Fu's family tell Fu about the time she took a picture of her father and first learned about "tamayura" from him. Later, as Chihiro and Tomo pay a visit for the Bamboo Festival, announcing that they plan to study abroad after graduation, Fu is shocked to learn that Riho is planning to leave town. During the festival the next day, as the girls get to see Kanae as part of Sayomi's explorer's club, Fu is approached by Riho, who explains she is going to Tokyo to open a gallery with her friend. Thankful for everything Riho has done for her, Fu promises the carry on her torch in pusuit of a career in photography.

The third movie of a four-part finale of Tamayura.

The second movie of a four-part finale of Tamayura.

The last movie of a four-part finale of Tamayura.

As a little girl, Fuu Sawatari’s father taught her to love photography. They took pictures everywhere they went. But after he passed away, seeing those photographs only served as a reminder of her loss, so she locked them away to be forgotten. Years later, the pictures remind Fuu of all the happy memories of her father that she will carry with her forever.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

Devara, a fearless man from a coastal region, embarks on a perilous journey into the treacherous world of the sea to safeguard the lives of his people. Unbeknownst to him, his brother Bhaira is plotting a conspiracy against him. As events unfold, Devara passes on his legacy to his mild-mannered and timid son, Varada.

At the age of 27, in Nazi-occupied Amsterdam, Etty Hillesum embarks on a spiritual and emotional journey, all chronicled in her diaries. In them, she unfolds her turbulent love affair with the psycho-chirologist Julius Spier, a relationship that becomes the catalyst for a radical inner transformation, accelerated by the growing threat she faces as a Jewish woman. Her unusual path ultimately leads her to an enormous act of solidarity.

Double projection with two 16mm projectors. The images begin with two parallel screens. They consist of fragments of light flashing like bursts in the darkness. As the process progresses, each projector moves simultaneously and overlaps. The sound actively utilises optical sound. In the latter part, Lee Minhwi's "The Light of Silence" is inserted.

Double projection with two 16mm projectors. The images begin with two parallel screens. They consist of fragments of light flashing like bursts in the darkness. As the process progresses, each projector moves simultaneously and overlaps. The sound actively utilises optical sound. In the latter part, Lee Minhwi's "The Light of Silence" is inserted.